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Mortimer was not an artist of the first rank in the mid-eighteenth century, but some of his work, especially his sketches and impressions of bandits and outlaws, were admired by his colleagues for their romantic and eccentric qualities. He studied with several artists and became well enough known to be admitted to the Society of Artists of Great Britain in 1765; shortly after joining he was elected president of the society. In 1778 he was joined the Royal Academy. He worked as a portrait painter, an etcher, and an illustrator, but he was especially keen on history paintings for which one of his favorite sources was early British history. He also drew inspiration from writers like Shakespeare; one of his early works, for example, was A Scene from "King John" (1768). His interest in Shakespeare gave us the "Twelve Heads" in Shakespeare's Characters, imaginative pen drawings of various characters from the plays. The illustrations were first shown at a Society of Artists exhibition; Mortimer then released them as etchings in two issues, the first in 1775 and the second in 1776. Richard Altick says that after their publication in 1775-6 the heads appeared "subsequently in other forms" (256). One bibliography (compiled by James M. Hubbard for the Barton Collection of the Boston Public Library) cites a nineteenth-century edition (1885) of Shakespeare with copies of the heads bound with the plays they represented. The heads as a consequence of so many reproductions appear in a variety of sizes and shapes, some framed in a square, others in a cartouche. Both are represented in the examples listed here, but I have not indicated the sizes the sizes of all the etchings and drawings.
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