Readers of a certain age will readily recognize Charles Coburn from his career in the movies. From 1933 until his death in 1961 he appeared in ninety-three films and television shows; he became such a celebrity that he made personal guest appearances in eleven additional programs as himself. Along the way he picked up an Academy Award (Best Supporting Actor, The More the Merrier, 1943) as well as several nominations for his film roles.

He was born in Macon and grew up in Savannah, Georgia, and began his career in regional theater, making his first Broadway appearance in 1901; over the years he performed in twenty-eight plays on Broadway, one of them Troilus & Cressida as Ajax with his wife Ivah in the part of Andromache. Below is a card of Coburn and his wife, Ivah Wills, as Petruchio and Kate in The Taming of the Shrew.

But his first endeavors were with Shakespeare when in 1905 he formed and managed the Coburn Shakespearean Players with Ivah Wills, whom he married the following year in Atlanta. The company toured for decades until Ivah’s death in 1937. He then disbanded the company and went to Hollywood where he became an established actor in films, his major legacy. While he was with his own company from 1905 until 1937 he performed every leading role in Shakespeare’s plays. Coburn was a member of the Motion Picture Alliance for the Preservation of American Ideals, an anti-communist conservative group, which included in its membership such names as Walt Disney, Ronald Reagan, and Cecil B. DeMille. He was also a member of the White Citizen’s Councils, a supremacist group which opposed racial integration, particularly in Hollywood.

In 1960, he was honored with a star on the Hollywood Walk of Fame, located at 6268 Hollywood Boulevard, in Los Angeles.

John Oscar Asche was born in Australia and first appeared on stage in 1893; his resonant voice and his dignified, formal bearing are often mentioned in the reviews of his performances. For eight years he was a member of Sir Frank Benson’s company with whom he played at the summer Stratford festivals. He then he joined the company of Sir Beerbohm Tree in 1902. After leaving Tree’s company he began to manage his own theatre group, eventually touring Australia and South Africa. He published his autobiography, Oscar Asche: His Life, in 1929 and died in 1936. He was married to Lily Brayton, with whom he often played Shakespeare’s plays in repertory.

Asche and Brayton inscribed their names in the record book in 1916. Oscar Asche wrote a play entitled Chu-Chin-Chow in which he played the lead, Abu Hasan. The play broke all records when it ran for 2,238 performances. Brayton took the part of Zahrat-al-Kulub and performed it almost two thousand times during the run. Asche almost became a wealthy man because of this single play. I say “almost,” for he tells us in his autobiography that “I must have drawn well over £200,000 in royalties from Chu. And everyone who was connected with Chu made a fortune. Some kept it. I didn’t” (163).

Between 1932 and 1936 Asche appeared in seven films. His best-known part is probably his performance in Scrooge (1935) as “Christmas Present.” The film, with Seymour Hicks as Scrooge, was directed by Henry Edwards.