Some of these actors have simply disappeared from view. The only piece of information that Shakespeare & the Players could discover about Hamelin was that he was a character actor in films; even the date of his birth was difficult to track down.

He is also a character in Julius Caesar.

Stanley Lathbury first appeared on stage in 1895 when he joined the company of Sarah Thorne at Margate; in the next two years he appeared in almost one hundred parts while still at Margate.

His career in Shakespeare began in earnest in 1909 when he was engaged by Gerald Lawrence and Fay Davis who opened their Shakespeare season on April 12 at the Royal Court Theatre, London. After that season – and many other engagements, often in the city of Birmingham—he went on to perform at Stratford-upon-Avon for thirteen years, 1920-33, in twenty different Shakespeare plays with the New Shakespearean Company. In 1927 he toured Egypt with Robert Atkins in Shakespeare repertory.

Among the parts he played over the years were Julius Caesar, Fluellen in Henry V, Pompey in Measure for Measure, and Adam in As You like It. When Leslie Howard produced and starred in Hamlet at the Imperial Theatre, New York, he chose Lathbury to play the first gravedigger. Hamlet ran for thirty-nine performances.

Lathbury also performed in ten films, the first in 1919 and the last in 1943. I am puzzled when I start reading about an actor like Lathbury whose career spanned fifty years with hundreds of performances, many of them in Shakespeare, as well as popular current productions. Names seem to fade from the records; I cannot find the year of his death, although he was still performing in films when he was seventy; his last stage appearance was in 1948. Lathbury did not play many major roles with important companies, but he worked steadily at his craft for at least seven decades, only to disappear without much notice.

The evil that men do lives after them; The good is oft interred with their bones (3.2).

Caesar’s assassination is just the halfway point of Julius Caesar. The first part of the play leads to his death; the second portrays the consequences. As the action begins, Rome prepares for Caesar‘s triumphal entrance. Brutus, Caesar’s friend and ally, fears that Caesar will become king, destroying the republic. Cassius and others convince Brutus to join a conspiracy to kill Caesar.

On the day of the assassination, Caesar plans to stay home at the urging of his wife, Calphurnia. A conspirator, Decius Brutus, persuades him to go to the Senate with the other conspirators and his friend, Mark Antony. At the Senate, the conspirators stab Caesar to death. Antony uses a funeral oration to turn the citizens of Rome against them. Brutus and Cassius escape as Antony joins forces with Octavius Caesar.

Encamped with their armies, Brutus and Cassius quarrel, then agree to march on Antony and Octavius. In the battle that follows, Cassius, misled by erroneous reports of loss, persuades a slave to kill him; Brutus’s army is defeated. Brutus commits suicide, praised by Antony as “the noblest Roman of them all” (reproduced with permission from Folger).

Postcards of Julius Caesar:

Productions of Julius Caesar:

1892 Edmund Tearle presented Julius Caesar at the Olympic Theatre (London) on April 16; Tearle played Brutus and the play ran for seven performances until April 23. The other players were W. S. Hardy as Marc Antony, A. Gow Bentinck as Julius Caesar, Cyril Grier as Octavius Caesar, and Theresa Osborne as Portia (Wearing, I: 208).

1898 Herbert Beerbohm Tree played Marc Antony in this production of Julius Caesar at Her Majesty’s Theatre (London); the play ran from January 22 until June 18, with a total of 161 peformances. The other players were Charles Fulton as Julius Caesar, Lewis Waller as Brutus, Louis and Alexander Calvert as Casca, and Evelyn Millard as Portia (Wearing, II: 714-15).

1900 Beerbohm Tree’s company gave fift-two performances of Julius Caesar between September 6 and October 27. Tree played Marc Antony, J. C. Murray, Caesar, Lewis Waller, Brutus, and Mrs. Tree, Calpurnia (Wearing, I: 48).

1907 On March 4, Ben Greet’s company returned to New York City’s Garden Theatre. The plays in repertory included Macbeth, As You Like It, Julius Caesar, Twelfth Night, Much Ado About Nothing, and The Merchant of Venice. Among Greet’s players were Sybil Thorndyke, Julia Perkins, and Sidney Greenstreet (Loney, I: 37).

1909 On April 19, Frank Benson opened the Stratford-upon-Avon Shakespeare Festival with Julius Caesar. Other plays that season were Cymbeline, as well as thirteen others.

1909 The London Shakespeare Festival presented by Herbert Beerbohm Tree’s ensemble, began June 21 at His Majesty’s Theatre, London. The festival ran for two weeks with The Merry Wives of Windsor, Twelfth Night, Julius Caesar, Hamlet, Richard III, The Merchant of Venice, and Macbeth (Loney, I: 50).

1910 On January 17, Ben Greet’s repertory of plays opened at the Garden Theatre, New York City, with, among other classics, these Shakespeare plays: Macbeth, Julius Caesar, The Tempest, A Midsummer Night’s Dream, and The Merchant of Venice (Loney, I: 53).

1910 Beginning on March 28, several companies presented a London Shakespeare Festival at His Majesty’s Theatre. Herbert Beerbohm Tree’s company played The Merry Wives of Windsor, Julius Caesar, Twelfth Night, and Hamlet. Norman Mckinnel presented King Lear and The Merchant of Venice; Arthur Bourchier and his company came next with The Merchant of Venice. H. B. Irving played Hamlet, and Frank Benson’s “Bensonians” followed with the Taming of the Shrew and Coriolanus. Poel’s Elizabethan Stage Society gave a performance—in the “original” sixteenth-century style—of The Two Gentlemen of Verona. Lewis Waller revived his Henry V, and Tree returned to close the Festival with The Merchant of Venice and Richard II (Loney, I: 54).

1910 At the first Stratford-upon-Avon Summer Shakespeare Festival, Benson presented The Winter’s Tale, Julius Caesar, Macbeth, Henry V, Twelfth Night, As You Like It, Richard II, Hamlet,and The Merry Wives of Windsor (Loney, I: 54).

1911 On April 17, the annual Stratford Shakespeare Festival opened with The Merry Wives of Windsor. This year Frank Benson also offered The Merchant of Venice, Twelfth Night, Much Ado About Nothing, Henry V, Julius Caesar, Macbeth, As You Like It, Romeo and Juliet, A Midsummer Night’s Dream, and Richard III (Loney, I: 158).

1911 The London Shakespeare Festival opened on May 22 at His Majesty’s Theatre with Herbert Beerbohm Tree’s Julius Caesar, followed by Oscar Asche and Lily Brayton’s As You Like It. Next came The Merchant of Venice and Twelfth Night. Frank Benson presented The Taming of the Shrew, Tree revived his Henry VIII, and the Festival closed with Benson’s Richard III and on July 3, the final night, The Merry Wives of Windsor (Loney, I: 158).

1912 The annual Stratford-upon-Avon Shakespeare Festival opened this year on April 22 with The Merchant of Venice; Frank Benson’s company also performed Henry V, A Midsummer Night’s Dream, Hamlet, Romeo and Juliet, Coriolanus, The Taming of the Shrew, Julius Caesar, Twelfth Night, and Richard III (Loney, I: 63).

1913 On October 13, the repertory company of Manchester’s Gaiety Theatre produced Julius Caesar (Loney, I: 69).

1913 In the month of June Herbert Beerbohm Tree staged a revival of The Merchant of Venice, Twelfth Night, Julius Caesar, and Romeo and Juliet; Tree played Shylock, Malvolio, Marc Antony, and Mercutio (Loney, I: 68).

1914 Frank Benson returned from the United States to direct the Stratford Summer Festival. He opened the four-week festval with Much Ado About Nothing. The company also presented Hamlet, Richard II, Henry IV, Part 2, Henry V, The Merry Wives of Windsor, The Merchant of Venice, Twelfth Night, Julius Caesar, As You Like It, The Taming of the Shrew, and Romeo and Juliet (Loney, I: 73).